| Robert's extended soundtrack for the Mikrokosmos Theatre Company's
production of 'Faustus', also directed by Robert, takes its musical themes and inspiration
from Marlowe's play. In the play Faustus enters into a contract with the devil and eventually
pays the price but knowledge of the play's narrative is not an essential prequisite to enjoy
the music on offer here. Ominous tolling bells initiate the first
track 'Portent', a fittingly restless prelude to the superbly atmospheric electronics evoking
a restless sonic nightmare.
'Mephistopheles' begins with a richly dense gothic soundtrack with powerful
percussion effects before Fox delivers one of his top drawer evocative, yet understated
melodies, stately but tinged with melancholy.
'Underworld' utilises voices, chants and whispers to great effect as a
minimalist backdrop to some fine piano and keyboard work.
'Hot Whore' opens with a salvo of exotic Vangelis-style electronic
treatments before settling into a piano riff and periodic expansive full-on keyboard sound
interspersed with more minimalist improvisation passages.
'Seven Deadly Sins' has a highly charged, unsettling, impressionistic
introduction before undergoing a variety of changes, including Vangelis-style phrasings and
dramatic percussion with clever touches of light and shade provided by some sensitive piano
and voice samples. Fox serves up a more typically expansive melody on the excellent 'Angel'
providing a more relaxed ethereal atmosphere.
On 'Helen of Troy' a lighter feel is provided by the marimba effects but Fox
retains the superbly crafted melodics. The tracks cross fade into a seamless work with
occasional linking tracks providing interesting musical bridges.
'Anthem' changes the style by using melodic ethnic chanting but
does not depart from Fox's oeuvre. The consummate craftsman serves up yet another inspiring
anthem.
'Redemption' closes the album in quiet, reflective but no less inspiring
mood.
'Underworld' is classic Robert Fox but at the same time is a more ambitious
work as the composer's horizons are broadened to include darker realms which only serves to
enhance Fox's more familiar melodic stylings. As well as broadening his constituency, Fox
somehow manages to make 'Underworld' sound even more personal and emotive than previous works.
That is no mean feat.
'Underworld' is a breath of fresh air and a strong contender for album of
the year. |